Omnium
Gatherum
by Theresa Rebeck and Alexandra Gersten-Vassilaros
Chicago premiere directed by Jason Loewith
November 11 - December 18, 2004 |
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An upscale
dinner party goes to hell, literally, in a controversial comedy
from the award-winning author of Spike Heels and View
of the Dome. This stinging satire of privilege in the shadow
of terror provoked uproarious laughter in its world-premiere
last season, and prompted The New York Times to call it a "piping
hot slice of satire," with "tragedy and triviality mixed into
a salad deliriously tossed." As bombs fall outside the windows
of Suzie's elegant dinner party, eight guests debate the virtues
of rhubarb, post-modernism, and radical Islam? until the explosions
come so close that they shatter the participants' delusions.
Recently nominated for a 2004 Pulitzer Prize.
Khalid
- Anish Jethmalani*
Jeff - Tim Donovan
Lydia - Elizabeth Laidlaw*
Roger - Doug McDade
Suzie - Wendy Robie*
Julia - Penelope Walker*
Terence - Joseph Wycoff
Mohammed - Bobby Zaman
Director
- Jason Loewith
Scenic Designer - Matthew J York
Lighting Designer - Jaymi Lee Smith
Costume Designer - Michelle Tesdall
Sound Designer - Victoria DeIorio
Stage Manager - Jennifer Gadda*
* Member
Actor's Equity Association
The
Love Song of J. Robert Oppenheimer
by Carson Kreitzer
Chicago premiere directed by Nic Dimond
February 3 - March 6, 2005 |
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The Next continues
to introduce Chicago to the hottest new voices in American theater
with Carson Kreitzer's adventurous, award-winning reverie about
ethics, love, anti-Semitism and war. Starting with Oppenheimer's
security-clearance hearing, the play takes us on a fantastical
journey through science, sex, betrayal and the atom bomb lead
by Lilith, Adam's first wife according to biblical myth. The
play's 2003 world premiere prompted the Cincinnati Enquirer
to pronounce, "If you love theater, see this play! Oppenheimer
is superb."
Kitty
- Jennifer Avery
Jean - Jane Baxter-Miller*
Oppenheimer - David Cromer*
Young Scientist - James Elly
Lilith - Wendy Robie*
Teller - Sean Sinitsky
Rabi/Groves - Jamie Vann
Landsale/Strauss - Joseph Wycoff
Director
- Nic Dimond
Scenic Designers - Richard & Jaqueline Penrod
Costume Designer - Elea Crowther
Lighting Designer - Scott Zematis
Composer/Sound Designer - Andre Pluess & Andy Brommel
Stage Manager - Lindsay Beacham*
*indicates
member of Actor’s Equity Association
Accidental
Death of an Anarchist
by Dario Fo
Chicago premiere translation by Ron Jenkins and Gloria Pastorino
Directed by Linda Gillum
April 21 - May 22, 2005 |
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Question authority!
1997 Nobel Prizewinner Dario Fo, the great master of Italian
satire, unleashed his razor-sharp wit on government corruption
with Accidental Death of an Anarchist, originally penned
in 1970. The play tells the partly-true, topsy-turvy tale of
a police investigation gone awry. When a mental patient adopts
the persona of a Chief Judge, his inquiry into police misconduct
over the death of a terrorist takes on Marx Brothers proportions,
complete with glass eyes, wooden hands and bombs being tossed
about the stage.
Bertozzo
- Kirk Anderson*
Second Officer - Andy Carey
Commissioner
- William Dick*
Fool - Joe Foust*
Miss Feletti - Carolyn Klein
Turtleneck Inspector - Sean Sinitski
First Officer - Will Schutz
Director
- Linda Gillum
Scenic Designer - Keith Pitts
Costume Designer - Vicky Strei
Lighting Designer - Ben Wilhelm
Sound Designer - Michael Kraskin
Dramaturg - Benjamin Calvert
Stage Manager - Jennifer Gadda*
*indicates
member of Actor’s Equity Association
Work-in-Progress
of a Chamber Opera
The Adding Machine
Based on Elmer Rice's play
Composed by Joshua Schmidt
March 17-20, 2005 |
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Elmer Rice's
1923 expressionist masterpiece about the rise of technology
and the fall of the common man tells the story of Mr. Zero,
a milquetoast guy with anger management issues. On the twenty-fifth
anniversary of his employment in a large corporation, Zero kills
his boss, is executed, winds up in the Elysian Fields, and finally
has his soul "recycled". Joshua Schmidt (composer for Far
Away) works with Artistic Director Jason Loewith to create
a new chamber opera for the American theater, based on one of
its most seminal texts.
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