The
God of Hell
By Sam Shepard
directed by Karen Kessler
September 15 – October 16, 2005 |
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Emma and
Frank are minding their own business raising cattle on a remote
dairy farm somewhere in middle America, when Frank’s old
friend Haynes shows up, spouting sparks of blue electricity
from his hands. This pitch-black comedy from one of America’s
greatest living playwrights (True West, A Lie of
the Mind) turns even more absurd when a mysterious G-man
shows up, peddling American flags and Pat Boone songs. By the
time the dust settles, Frank and Haynes have submitted to all
manner of totalitarian control, and poor Emma is left trying
to keep her plants – and her freedom – alive.
Frank
- Roderick Peeples*
Emma - Natalie West*
Welch - Troy West*
Haynes - Joseph Wycoff
Director
- Karen Kessler
Set Design - John C. Stark
Costume Design - Amy Gabbert
Light Design - Lee Keenan
Sound Design/Composition - Victoria DeIorio
Dramaturg - Brennan Parks
Stage Manager - Jennifer Gadda*
*indicates
member of Actor’s Equity Association
The
Long Christmas Ride Home
by Paula Vogel
directed by Jason Loewith
November 10 - December 11, 2005 |
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Pulitzer
Prizewinner Paula Vogel (How I Learned to Drive, The
Baltimore Waltz) has written one of the most lyrical and
beguiling stories of salvation we’ve ever read. Actors
manipulate child-size Bunraku puppets in this astonishing memory
play about a family driven to the brink of tragedy on the car-ride
home from Grandma’s on Christmas Day. Vogel masterfully
weaves a tale of a young gay man’s coming-of-age, set
against the backdrop of family crisis and spiritual renewal.
The production stars Wendy Robie and Troy West as the narrators.
A very non-traditional play for the season; parental guidance
strongly suggested.
Claire
- Jennifer Avery
Stephen - Tim Hendrickson*
Minister - Cameron Jappe
Puppeteer - Melanie Keller
Rebecca - Julia Neary*
Woman - Wendy Robie*
Puppeteer
- Jeremy Sher
Man - Troy West*
Director
- Jason Loewith
Scenic Designer - Matthew York
Costume Designer - Linda Roethke
Lighting Designer - Diane Fairchild
Sound/Music Designer - Scotty Iseri
Puppet Designer - Michael Montenegro
Choreography - Christina Ernst
Dramaturg - Sarah Gubbins
Stage Manager - Richard Lundy*
*indicates
member of Actor’s Equity Association
A
Number
By Caryl Churchill
directed by BJ Jones
January 26 – February 26, 2006 |
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The Next
continues its acclaimed relationship with Caryl Churchill (Far
Away) by producing the hottest play of last season off-Broadway.
In sixty-five highly-charged minutes, Caryl Churchill’s
A Number tells the story of a father-son conflict so
extraordinary it shakes the very foundation of western ideas
about the individual. When Bernard confronts his father Salter
about the possible existence of “a number” of genetically-identical
brothers, Churchill opens a Pandora’s Box of penetrating
questions about science and morality, nature versus nurture,
and the definition of the word “identity.” Named
one of 2004’s Ten Best by The New York Times,
A Number confirms Churchill’s position as one
of the most important dramatists of our time.
Salter
- John Judd*
Bernard 1, Bernard 2, and Michael Black
- Jay Whittaker*
Director - BJ Jones
Scenic Designer - Brian Sidney Bembridge
Costume Designer - Janice Pytel
Lighting Designer - Diane D.Fairchild
Dramaturg - Rosie Forrest
Stage Manager - Jennifer Gadda*
*indicates
member of Actor’s Equity Association
Fabulation,
or the Re-Education of Undine
By Lynn Nottage
directed by Jason Loewith
April 6 – May 7, 2006 |
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In her newest
play, Lynn Nottage (Steppenwolf’s Intimate Apparel
and the Goodman’s upcoming Crumbs from the Table of
Joy) targets the African-American elite in this stinging
riches-to-rags satire. Undine Barnes Calles - nee Sharona Watkins
of the Walt Whitman Projects – is a fantastically successful
PR exec who wakes one morning to find she’s lost it all.
With no money, business or social position, Undine must return
to her family in the projects… unfortunately, she told
the press they all died in a fire 15 years ago. Painfully rediscovering
her roots, Undine is shocked to learn that her cancelled platinum
American Express card doesn’t get her very far in the
depths of urban America. “Robustly entertaining…
having found her feet as a playwright, [Nottage] is not about
to stand in one place” – New York Times.
Stephie
- Lili-Anne Brown
Grandmother - Laura Collins*
Father - Allen Gilmore*
Mother - Joslyn Jones
Accountant - Scott Kennedy
Flow - Osiris Khepera
Herve/Guy - Dale Rivera*
Undine - Jacqueline Williams*
Director
- Jason Loewith
Set Design - Richard & Jacqueline Penrod
Costume Design - Christine Pascual
Lighting Design - Keith Parham
Sound Design - Andrew Brommel
Dramaturg - Lila M. Stromer
Stage Manager - Richard Lundy*
* Member
Actor's Equity Association
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