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Iphigenia 2.0
By Charles Mee
Directed by David Kersnar
September 6 - October 14, 2012
Lookingglass Theatre's David Kersnar brings his unique brand of physical theatre to the Next stage. An exuberant and modern retelling of IPHIGENIA AT AULIS by Euripides, IPHIGENIA 2.0 is filled with pop culture and musical references about the tragic ways in which history repeats itself. A great imperial power decides to go to war, taking an action so wrong that it sets the empire on the road to complete self-destruction. Agamemnon, the leader of the Greek army, must prove to his uncertain troops that the dangerous battle they are about to undertake is righteous and worthy by making the ultimate sacrifice.
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- Overview
- Artists
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Rebecca Buller (Iphigenia) is delighted to perform at Next Theatre. Recent Chicago credits include Hesperia (Writers’ Theatre), The Seagull (The Goodman Theatre), All My Sons and Dolly West's Kitchen (Timeline Theatre Company), The Cherry Orchard (Strawdog Theatre Company), Boys & Girls (Theatre Seven of Chicago), and Cut to the Quick (side project theatre). Regionally, Rebecca has performed in The Diary of Anne Frank (Indiana Repertory Theatre in Indianapolis and Pioneer Theatre Company in Salt Lake City), Metamorphoses (Swine Palace Theatre in Baton Rouge, LA) and Ariel View (NYC International Fringe Festival). Film and TV credits include The Playboy Club (NBC) and the upcoming movie Man of Steel. |
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Wesley Daniel (Soldier) just received his BFA from the Chicago Conservatory for Performing Arts at Roosevelt University. He just performed in TIMON OF ATHENS at Chicago Shakespeare Theater, and before that, he performed through Lookingglass Theatre at the Chicago Symphony Orchestra as Floretta in PULCINELLA. Some of his past credits at the Conservatory include Stanley Kowalski in Steve Scott’s production of A STREETCAR NAMED DESIRE, Melchior Gabor in SPRING AWAKENING, Larry in THE CRADLE WILL ROCK, and Dylan Klebold in COLUMBINUS.
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Aaron Todd Douglas (Agamemnon) is an actor, director and faculty member at Loyola University and is pleased to make his Next Theatre debut. Directing credits include: 12 Angry Men (Jeff Award - Best Ensemble, nomination - Best Director) and Radio Golf (Raven Theatre); Talented Tenth (Black Theatre Alliance Award - Best Production), African Company Presents Richard III, and The Nativity (Congo Square); Pill Hill (BTAA - Best Director, Production ETA Creative Arts). Acting credits include: Tree (Victory Gardens), Wait Until Dark (Court Theatre), Fortunes of the Moor (ETA), The State of Mississippi v. Emmet Till (Pegasus Players), Julius Caesar (Chicago Shakespeare) and Perfect Mendacity (Steppenwolf). A founding ensemble member of Congo Square Theatre Company, his credits include: The Piano Lesson, Before It Hits Home, Ali, Joe Turner's Come and Gone, Seven Guitars (Jeff Award - Best Ensemble, Best Production) and the world premiere of Stick Fly by Lydia Diamond. |
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Max Fabian (Soldier) is a recent graduate of The Chicago College of Performing Arts at Roosevelt University. He recently was seen in Pulcinella with the Chicago Symphony/Lookingglass and is currently working on Circus Princess at the Chopin Theatre. Max is ecstatic to be working at Next Theatre!
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Laura T. Fisher (Clytemnestra) is an Artistic Associate of the Next Theatre. Previous performances at the Next: The Metal Children, Defiance, Frozen, Helen, and Julius Caesar. In Chicago, Laura has performed at the Goodman, Chicago Shakespeare, Court, Victory Gardens, Theatre Oobleck, Remy Bumppo, Famous Door, and many others. Outside of Chicago, she has performed in Indiana, Scotland, New York, and Singapore. With David Kersnar, Laura has performed in Saudi Arabia, Kuwait, Dubai, Bahrain, and, most recently, Miami. In addition to the Next, Laura has been a member of Famous Door, Plasticene and Cardiff Giant Theatre companies; has performed with the Chicago Symphony Orchestra, the Lyric Opera of Chicago, and been honored with multiple Jefferson Award Nominations and one award. Thanks to Jenny, Kersnar, and Don.
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Ricardo Gutierrez (Menelaus) is delighted to be appearing at the Next Theatre for the first time. Ricardo was most recently seen in Fishmen at the Goodman Theatre. Regional credits include the world premiere of Ground at The Actors Theatre in Louisville and the world premieres of Sunsets and Margaritas and Lydia at the Denver Center Theatre. Additional Chicago credits include The House on Mango Street, Our Lady of 121st Street, and Jesus Hopped the “A” Train at Steppenwolf Theatre; Esperanza Rising for the Chicago Children’s Theatre; The Defiant Muse, Anna in the Tropics, and Hortensia and the Museum of Dreams at Victory Gardens; and Race at Lookingglass. Film credits include Stranger Than Fiction, You Are Going to Prison, Stand and Deliver, and Running Scared. Ricardo can currently be seen as Alderman Mata in the Starz television production of Boss. Ricardo is the Artistic Director of Glass Onion Theatre and a proud ensemble member of Teatro Vista. |
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Anthony Kayer (Greek Man) makes his Next debut with Iphigenia 2.0, and he’s very excited to be a part of the team. His recent Chicago credits include: The March (Steppenwolf), Elizabeth Rex (Chicago Shakespeare Theater), and Arnie the Doughnut (Lifeline Theatre).Regional credits include: The Three Musketeers, As You Like It, and The Merry Wives of Windsor (Illinois Shakespeare Festival). Anthony is a recent graduate of ChicagoCollege of Performance Arts at Roosevelt University.
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Ariella Marchioni (Bridesmaid) is very excited to make her Next Theatre debut in Iphigenia 2.0. She was most recently seen as Mary Bennet in Lifeline Theatre’s Pride and Prejudice. She is currently a BFA candidate at Roosevelt University’s Chicago College of Performing Arts and will soon be a graduate with the class of 2013.
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Luce Metrius (Soldier) is thrilled to be making his debut at Next Theatre. He is a recent graduate from Roosevelt University where he received his BFA. Some of his theatre credits include The March (Steppenwolf), and Spring Awakening and Our Town (Roosevelt University). He gives special thanks to his entire family, who have given his great support every step of the way.
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Alexa Ray Meyers (Bridesmaid) is beyond proud to have survived eighteen years in South Florida without having her face eaten off by a homeless zombie. She is equally,if not more, excited to be making her professional Chicago debut in Iphigenia 2.0! Some favorite credits include: David Kersnar’s King of Hearts (at CCPA), Hairspray (Tracy), Les Misérables (Mme. Thenardier), as well as 8 years with South Florida’s premier long-form teen improv troupe, Child’s Play. Alexa has a deep passion for dogs and she is currently in pursuit of a BFA in Acting from the Chicago College of Performing Arts.
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Erik Strebig (Soldier) is an Ohio native turned Chicagoan and recent gradute from The Chicago College of Performing Arts. He is thrilled to be making his Next Theatre debut in Iphigenia 2.0. CCPA credits include Moritz in Spring Awakening, Complete Works of William Shakespeare (Abridged), Pericles and King of Hearts. He was seen, this Febuary, in the Lookingglass/CSO performance of Pulcinella at Symphony Hall. He currently lives in Ukrainian Village and dislikes the color taupe.
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Nick Vidal (Achilles) is thrilled to be making his first appearance with Next. Previous credits include: The Heart Is a Lonely Hunter (Steppenwolf for Young Adults); Ah, Wilderness! (Eclipse Theatre Company); In The Heart of America (Theatre Seven); That Face (Redtwist Theatre); Aftermath (Signal Ensemble); The Ring Cycle (The Building Stage); The Picture of Dorian Gray and Wuthering Heights (Life Line Theatre); Robin Hood (Oak Park Festival Theatre); and Romeo and Juliet (Arts Lane). Nick would like to thank his wonderful agents at Gray Talent. |
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David Kersnar (Director) is a founding ensemble member of the Lookingglass Theatre Company and has performed, designed, and directed with the company since it was founded in 1988. Directing, writing, and co-writing credits include Good Night Moon (Chicago Children’s Theatre); The Last Act of Lilka Kadison, La Luna Muda, Through the Looking Glass (Lookingglass); Marisol, Old Times, Some Girls (Northwestern University); King of Hearts, The Green Circus, Circus of Chalk (Roosevelt University); and The Flying Griffin Circus (Actor’s Gym). Kersnar directed Lookingglass Theatre co-productions of Peter and the Wolf, Pulcinella (Chicago Symphony); Sita Ram (Chicago Children’s Theatre and Natya Dance); and Brundibar (Lively Arts and Chicago Children’s Choir). David also directed Lookingglass World Circus, Lookingglass Young Ensemble, Lookingglass Lab and dramatic sequences for Chicago Children’s Choir’s Songs of the Season. Kersnar has twice served as the Lookingglass Artistic Director, founded and directed Lookingglass Education & Community Programs, and has served as Master Teacher. Kersnar is currently an adjunct professor at Northwestern University and Roosevelt University, and has also instructed at DePaul University and University of Chicago. Kersnar also appeared at Goodman, Steppenwolf, Remains, Brooklyn Academy of Music, The Actor’s Gang in Los Angeles, and the Touchstone Theatre of Pennsylvania. Film and television credits include U.S. Marshals, Since You’ve Been Gone, Early Edition, and Turks. David holds a BS in Theatre/Performance studies and a MFA in Directing from Northwestern University. Love to Christie, Drew, Kyle, and Leah.
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Charles Mee (Playwright) has written Big Love, True Love and First Love; bobrauschenbergamerica, Hotel Cassiopeia, Orestes 2.0, Trojan Women: A Love Story; and Summertime and Wintertime, among other plays—all of them available on the Internet at www.charlesmee.org and as a free iPhone app. His plays have been performed at the Brooklyn Academy of Music, American Repertory Theatre, New York Theatre Workshop, the Public Theatre, Lincoln Center, the Humana Festival, Steppenwolf, and other places in the United States as well as in Berlin, Paris, Amsterdam, London, Brussels, Vienna, Istanbul and elsewhere. Among other awards, he is the recipient of the Gold Medal for Lifetime Achievement in Drama from the American Academy of Arts and Letters, and of the Richard B. Fisher Award. He is also the author of a number of books of history, and the former Editor-in-Chief of Horizon magazine, a magazine of history, art, literature, and the fine arts. His work is made possible by the support of Jeanne Donovan Fisher and Richard B. Fisher. |
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Production Team
Mariana Csaszar (Costume Design)
Heather Gilbert (Lighting Design)
Jamie Karas (Props Design)
Alexis Links (Dramaturgy)
Adam Liston (Production Manager)
Jessica Pink (Stage Manager)
Jacqueline and Richard Penrod (Scenic Design)
Rick Simms (Sound Design)
(c) Manny Ortiz
(c) Manny Ortiz
(c) Manny Ortiz
(c) Manny Ortiz Watch Iphigenia make her big entrance!
The Iphigenia 2.0 ensemble features members from The Inappropriate Theatre Company, whose mission is to create original and re-imagined works, renew what is appropriate for a theatrical space, and recharge what is appropriate for a theatrical experience. They overstep boundaries to connect humans, no matter how inappropriate.
Watch the highlights from their 2012 Fundraiser, "An Inappropriate Evening at the Underground."*
Learn more about the company and its members.*
*The views expressed and images shared are solely those of Inappropriate Theatre Company, and are not representative of Next Theatre Company.
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